TimJackson

Honored to be featured in the NAWCC magazine...

A rather lovely article written by the superb clock & watchmaker David Walter FBHI that shows my amazing Watchmakers Regulator precision pendulum clock, I commissioned for Independent in Time. It was a six month project that culminated in David coming to install the clock the weekend I hosted the Horological Society of New York's traveling watchmaking classes in San Diego, over the weekend of Feb. 10-11th, 2018.

I had received several images from David over the months showing various stages of completion for the movt. dial and hands. I wasn't quite ready for how elegant and big the clock was once inside the stained ash case and on the wall! I'm thrilled to have this piece hanging in a prominent position and to continue supporting Independent Horology and in this case clock making, particularly from a fellow USA based transplant.

More pics to come, suffice to say this was a very happy moment for me!

Thank you David.

More musings on the branded "watch business"...

I had a great meeting yesterday with a representative of a small Independent brand. The gentleman had sent me a letter prior to the meeting with the usual PR fluff about the latest manufacturing capabilities etc. etc. and that he'd reveal more in the meeting...
I had met the owner of the brand several years ago, when he'd made a trip to the US and stopped in Solana Beach.
I am familiar with the company, it's products and the general brand.
So, in walks a new chap, confident and comfortable in his role...after introductions, he starts in with the fairly typical company info. about what they are doing now and the latest products, that use some of the original founder's (although he is no longer at the bench nor designs anything to do with the current watches) special skills, combined with the modern manufacturing technology and craft of hand finishing and assembly of some 600 watches a year.
After telling him I choose to work with individual Independent Watchmakers, rather than brands he took it in stride and continued to attempt to persuade me that his company and ours could be a good fit, etc. etc. I like the guy, his passion, his knowledge and his presentation were all compelling, but ultimately I'm not interested in representing a marketed brand, which is what this truly is. Small & Independent, yes... good products, yes....passionate representative, yes....but a name acquired and a manufacturing business built in the Swiss tradition, not terribly interested I'm afraid.

Now if I were to open another store that focused on small Independent Brands, they would be in the running, together with some other Independent brands that I think offer good value and make very good products of original designs etc. etc.
This company's technical ability is impressive, and I was shown images of an upcoming unique complication being developed, a working prototype was shown in a video. Very cool!
There is a master Watchmaker who is the technical director of the brand, the mechanical genius creating these wonders, I just wish the focus was more on him rather than utilizing an old name and doing the typical Swiss watchmaking business, that is all too prevalent and less compelling to me, the more time spend in this world of mechanical watchmaking. Marketing and branding isn't for me.

Why write this, well it reminded me of "why" I do what I do and reminded me of the compelling reasons why the Independent Watchmakers make their watches. Understanding "Why" a watchmaker makes a specific watch is more compelling to me than "What" or "How". It's the fuzzy stuff, difficult to quantify, that I like to learn about and share with those willing to listen. In this day and age, there are plenty of watch brands to go around, arguably too many...finding true artisans of horology isn't common, but once discovered, well that is the watch arena where I want to exist.

Cheers to all, have a brilliant weekend,

Tim

2016 Summer thoughts...

Dear Friends,

Well the summer is here in spades in Solana Beach!

It is for me a moment to reflect a little, having just had my 49th birthday this week, entering my 50th year has given me pause to think. I made a major change to my life when I created Independent in Time, the business that reflected what I believed was the professional direction I felt compelled to follow, having been a fairly traditional big brand independent retailer since 2000 in the San Francisco Bay Area.

This past couple of weeks with the Brexit referendum in my country of birth, the financial, political & social turmoil that this has caused and the impending Independence Day celebration that my family & friends here in the USA celebrate vigorously, I'm taking a moment to look at where I'm at with regards the Independent Watchmaking world that I participate in professionally. How this reflects my wishes for Horology in general and Independent Watchmaking in the big wide world and my unwavering support for these artisanal watchmakers, whose life path it is to create arguably archaic micro mechanical works of horological art. Utilitarian items although Utopian in concept, don't excite the soul and give pleasure to life. Human beings I believe fervently need some form of artistry in their lives.

Oftentimes, and in fact for much of my professional career, I've followed my heart and gut feeling over what others have recommended. Financially, I suppose I've suffered somewhat, but at the end of the day I believe it is the correct decision for me. In doing my part to spread the word of Independent Watchmaking, I feel fortunate and honored to have this as my "daily work".

I'm excited to be able to offer these superb pieces of micro-mechanical horological art, representing each of their maker's blood, sweat and tears...and I thank you for the support of Independent Watchmaking,

Cheers,

Tim

SalonQP 2014, a quick London trip.

A last minute business trip quickly came together last weekend, and within 4 days of booking tickets, I was flying to my old country. Leaving San Diego in the morning, with bright blue skies and the temperature heading into the low 80's as I boarded my plane, I was excited to finally make this relatively new watch show held at the quite famous Saatchi Gallery off The Kings Road, Chelsea in London.

Sunny San Diego airport.

Salon QP is in it's 5th year and is found in a rather ritzy location for a watch show. I had until now failed to justify to myself the time & money to attend: my timing though was impeccable for the trip and coincided perfectly with the SalonQP.

The Gatwick Express heads over the Thames a few minutes before arriving into Victoria.

Arriving into a cold and windy London Gatwick, I jumped aboard the "Gatwick Express" for Victoria and headed to the Saatchi Gallery. Upon arriving I headed upstairs into the galleries where many of my friends were exhibiting their wares. Of course, there were many familiar faces too from the "Watch business", writers, photographers, bloggers, investors and marketing folk! When one attends Basel for 14 years, a certain amount of "Watch business" people become familiar.

Alex & Marco from L&H in Dresden.

I'm happy to say that Marco Lang and his colleague Alex were in attendance showing off their new highly complicated anniversary watch, the Augustus with it's magnificent Caliber VII with 18K rose gold bridges, cocks and wheels! I saw the prototype in Basel, so we chatted about business in general and I was then off to my next stop. 

Stepan Sarpaneva is a brilliant watchmaker and designer of watches. He has been working on a Tourbillon for a few months, and having followed his progress via facebook, I was excited to see the running prototype at his stand. He also had brought along the enamel dialed K0 which I was interested to see. As a lover of enamel dials, this was intriguing and in person it didn't disappoint.

The K0 Tourbillon prototype Stepan has been working on for himself!

On the wrist, it has a great look and is very much a Sarpaneva!

The enamel dialed Moonphase beauty!

His use of the iconic grill over the top was in keeping with his design aesthetic. I pressed him to make a trip to the sunny climes of southern California, I know he'd enjoy it, particularly if it occurred during his colder season up North! Close by was my Hungarian friend Aaron Becsei, who showed a proto of his latest piece, the Dignitas, which I'd seen in CAD pics before, but nothing real. It was stunning! His watches have a rather old world styling, maybe a bit gothic and an irregular shape, so they are a bit of an acquired taste. In terms of workmanship, they are stunning and his hand finishing is superb. He also had the splendid Triple Axis tourbillon with him. Again, this piece is a technical tour de force and the cages are gorgeous. Very rarely a fan of regulator watches, this one I appreciate for it's craftsmanship and superb finishing, but style wise I find it misses the mark for me. Oh well, as they say, you can't please everyone all the time.

I had an appointment with my friend Richard from Pinion, who has been keen for us to find a working relationship. I want to help him, as I believe his commitment to English watchmaking, while freely admitting to using good Swiss calibers, is something worth supporting. I wasn't terribly excited about their first offering, the Axis Automatic, but upon seeing the Axis Pure, I was seeing a lovely watch.

The Pinion Pure cased in marine bronze at 42mm.

The dial work and case are lovely, with a reliable ETA 6498 beating inside, here is a watch that has style and good design. I grabbed a bronze piece, as I felt the high polish steel was a bit bright for me. The other watch I was eager to see was the Revival 1969 chrono, which features a new old stock Valjoux 7734 caliber never assembled from 1969 until now!

Pinion Revival 1969.

Again I loved the dial and being familiar with this caliber having owned a superb Habring2 chrono with it, I was excited to see what Rich and his team had done with it. Limited by how many NOS calibers they have, an edition of 100 pieces will be made, and at $6850 I think it represents quite a lovely hand wind chrono.

Please excuse the non optimum photo quality, this was an iphone pic!

I went over to see my slightly crazed French friend, Vianney and catch up with him after stopping and talking to Kari Voutilainen for 5 minutes. Kari had a couple of gems in his little showcase, I had to examine the exquisite tourbillon of course but the piece that really grabbed my focus was a gorgeous pale blue guilloche dialed Vingt-8 GMT. Kari's dials are getting quite adventurous in some cases, this was a bit of a departure from his usual classic look.

Kari's latest Vingt-8 GMT with the GMT dial at 6 o'clock.

He also showed me a Vingt-8 with striking orangey-red numerals and discs on his modified Breguet hands. Kari was very excited about the English market for his work, saying his English clients really were huge fans of his work, truly appreciating his style and craftsmanship, with several clients owning more than one of his pieces! To me it made perfect sense, with the natural appreciation for classical style and exquisite workmanship, I could imagine him finding many a happy client in England. Might be biased here! Anyway, as I got to Vianney's showcase, he was readying himself to face the British weather for a lunch. Kindly inviting me, I agreed to join him and another great watchmaker, Antoine Presuzio for a bite to eat on the Kings Road.

Antoine's latest project with his son, an oversized automatic with power reserve and mixed metal case & lugs. A bit too "bling" for my taste! They apparently have no problem selling them.

Antoine, yours truly and Vianney.

Funnily enough we ended up in a Japanese sushi restaurant in London. Wouldn't have been my first choice, but as I was a guest, it wasn't my place to decide! Of course we had a great time, and it was a pleasure getting to know Antoine, his son and wife. We returned under a British shower, without the benefit of an umbrella!  

I then wandered around taking the sights, many small brands were in attendance, so it was educational being exposed to them. My friend Johannes Jahnke, formally of Lang & Heyne, now reside with his growing family in Switzerland, where he develops calibers for the likes of Christopher Ward and Meistersinger. he showed me the C.W. Ward inhouse automatic he designed for them. It represents quite a value, and as they only sell through their own website, the consumer gets a lot of watch for the money. Of course the buying experience isn't what most of my clients wish for or expect, but it works for them. A different type of business for sure. Bidding him farewell, I bumped into the two genius brothers Grönefeld from Holland, fresh from their win in Geneva at the GPHG, they actually declined a beer!

The Parallax Tourbillon and it's creators, Bart & Tim.

Closer up, plain light.

Now some reflected light, to reveal the lovely blued steel hands.

Fortunately they were happy to chat and show me their superlative Parallax Tourbillon. Tim & Bart are two of the more fun and entertaining fellows in the Independent Watchmaking world, so spending time with them is allways good. One day I must make the trek over to their country and visit. On my way out, I stopped by Andreas Strehler's stand, where he was showing his latest creation, the semi-skeleton Papillon with power reserve on the back.

Front, again a poor pic, lighting wasn't great, and the iphone struggled!

Beautifully hand finished.

Last but not least, Max Busser's colleagues were showing off the latest MB&F Horological Machine. The HM6 is quite something and again touches on several themes, primarily space travel and sports a central tourbillon under a domed crystal. It also had a "Shield" that can be closed over the tourbillon to cover it, sort of like a cloak. The titanium case is "spaceship" in looks and feels amazing on the wrist. Pictures will reveal more than words...

Central flying 60 second tourbillon.

Domed bubbles reveal the hours and minutes similar to the HM3. The Tourbillon is partially "cloaked"

The tourbillon has been cloaked.

The back showing the MB&F green 950 platinum rotor on their caliber.

As I had an appointment with a client in Covent Garden for dinner and to deliver his new Speake-Marin, I had to depart prior to the evening cocktail event, which I suspected was going to be a fun time unfortunately. Such is life when you have to work for a living! No complaints though seriously, as I enjoyed a great seafood dinner with my new friend Graham and got to see his smile as he strapped on his new watch. Acquiring a watch by fellow Englishman, Peter Speake-Marin, was exciting and possibly way past time. Worth waiting for though! We finished up our meeting and I headed off to meet my old friend who I was staying with. The following day I headed over to the island of Jersey to deliver the other Speake-Marin watch. As my folks live there too, I got to spend a couple of days with them prior to returning to the sunny climes of San Diego via a rainy London!

I would encourage any of you in the UK or near by to attend the SalonQP event if possible as one can really spend time with some of the greatest watchmakers on the planet, see their watches in a relaxed and pleasant atmosphere without the crowds and hoards of watch press swarming around Baselworld. I'm only sorry I didn't get to attend the evening event, as that I suspect would be quite fun. They also have several lectures during each day of the show, which I imagine are full of fascinating and useful data. I think I might need to make this an annual trip!

Cheers,

Tim

Just found this short article I wrote 9 years ago about Speake-Marin.

Rereading this today, I still feel the same way about Independent Watchmaking as a whole, and am more compelled to help these guys get their message out and help collectors realize their genius....

 

"A viewpoint of micro-mechanical wrist art.

 

I'm going to pen a few words about Speake-Marin watches, in doing so, my challenge is to write more about the watch as an art piece and less about what can often be the rather tedious, the facts and figures regarding the number of jewels etc.

I’ll speak from experience as I have one of Peter’s superb Piccadilly’s, a red gold execution with a lovely porcelain enamel dial sporting those classical black roman numerals that I love.

 

Those of you who know me well, are aware of my penchant for genuine enamel dials, particularly with roman numerals. It has probably got something to do with growing up in England and seeing the grand-father clocks in various friends homes with their roman numeral faces. Wearing a watch likes this gives me great pleasure and as we all work very hard around here, a reminder that once in a while we should throw ourselves a bone. Now this goes without saying that our spouses/ or significant others probably ought to be taken care of first, but at the end of the day “All work and no play makes jack a dull boy”, so go ahead and treat yourself once in a while.

 

For me, the most impressive part about Peter is that he is not only a genius watchmaker, capable of creating superb complications, but almost more importantly, able to design an absolutely beautiful watch. I find this a rare quality in the horological world. One typically finds great designers and superb watchmakers collaborating to create lovely watches, so to find a single watchmaker and designer is very rare. Now before I get yelps about what is beautiful, as it is of course fairly subjective, remember this only my viewpoint! It puts Peter into an extremely small and exclusive club. I’m particularly thrilled to see a Brit in this club for obvious reasons.

 

So I invite you to take a look at Peter’s creations in person, come in and get a feel for what makes him tick. I was intrigued, I think you’ll be also.

Please call me with any questions about Peter or his splendid watches.

Cheers,

Tim"

Martin Braun visits Solana Beach with the Slow Runner

I was blessed to have my dear friend Martin visit and spend a couple of days in Solana Beach, showing eager collectors his amazing new watch from Basel earlier this year, the Slow Runner. This is a worlds first, with a massive Aluminum balance wheel of 24mm that beats at an amazingly slow rate of only 7200beats per hour. Similar to the healthy human heart, it has a mezmerising motion that immediately calms one.

Martin designed this superb piece as he feels high end mechanical watches should be more about slowing down time. We live in such a frenetic time, with mobile smart phones tethering us electronically to each other, that Martin felt his watch could help us reflect upon the benefits of slowing down.

The silvered dial version on the wrist. The second hand makes two beats per second, similar to an old long case clock.

I was able to share Martin with several collectors for a fun evening in Solana Beach, where he showed us his watches and spent several minutes talking about why he decided to create the Slow Runner. He took questions and happily answered them, with humour and grace.

The black dialed version on the wrist.

Here is the caseback of the RG version, revealing the massive balance wheel.

Another watch debut at Basel this year was a Flying Tourbillon with grand date. This is a tremendous value proposition when compared to big brand models, especially given the technology found within it. Using Martin's design of silicium escape wheel and anchor, which is more efficient with less friction.

In 18K rose gold, with the huge dial side tourbillon regulator.

This is the steel silvered dial execution, which at approx. CHF72,000 represents tremendous value.

I was able to spend a day with Martin together with friends and show him around a little, tailgating at the San Diego Polo club, which sounds quite fancy, but really isn't! Also a day spent whale watching with two dear friends and passionate watch aficionados, Mike & Mitch. I look forward to getting the first Slow Runners at the beginning of 2014.

Musings on Independent watchmaking and the beginning journey for me

At the risk of sounding like a broken record, I thought I'd pen or rather type this little missive about why I have chosen to work in the Independent watchmaking end of the watch business, rather than the broader big brand market or the second hand dealer arena.

Yes, it is a more difficult (read less financially rewarding) way to operate professionally, but infinitely more rewarding as the business aspect of the watch world changes each year.

I saw the change coming almost ten years ago, with the opening in NYC of the first branded boutiques, and I certainly understand why the brands are doing this. As an independent watch store, this had some benefits and disadvantages for me Unfortunately the disadvantages outweighed the benefits rather significantly and it is why when setting up my store three years ago, I chose to only represent real Independent Watchmakers.

One of the reasons I do this, is that these relationships I develop with collectors over the months & years often turn to friendship. A group of like minded individuals reward me with their loyalty and support, as I continue to support the artisanal aspect of fine mechanical watchmaking by helping these Independent watchmakers who have chosen the path less travelled and certainly more difficult, within the watch business. I fully believe that people like to help others if they can, it is a human need on many levels and brings a level of happiness and contentment that other pastimes can rarely offer. It just feels good!

Seeing the joy in a collectors eyes when they first open up a new watch box to reveal that piece they acquired, especially when it often takes months to get sometimes even a year, is amazing and knowing it helped a watchmaker build his little business, is a large part of why I do what I do.

I know that the big brands create many lovely watches, some of which I personally own and would own more if money were no object, however there is that human connection with the watchmaker that cannot be duplicated with a big brand, and it is this aspect that I first found compelling 9 years ago when I started working with Peter Speake-Marin. Back then, we were both in quite different places professionally and personally. I was part of an existing fine jewelry store who were big brand authorized dealers for many great brands such as Ulysse Nardin, Vacheron-Constantin, Glashutte Original etc, etc., whose products I'm still fond of to this day, with quite a healthy annual turn over of several million dollars feeding an expanding business. Two children, married and working to build this business, I came across this fellow Peter, married, no kids, working with his wife and just getting going in his independent phase, having recently created the Watch Workshop to design and make watches under the Speake-Marin name. With an annual production of around 35 pieces, he wasn't making himself wealthy by a long shot. Probably just about covering his bills with a long road ahead, I was immediately taken by his humility and straightforwardness when discussing a potential business relationship over coffee in Basel that initial meeting.

Basel 2004 Peter & I discussing his creations at the AHCI stand.

His watches were stunning and I wanted to help promote him and sell his watches to our collector clients, who I was fairly sure would be as compelled with Peter and his watches as I was. Committing to buy 5 watches, 3 gold and 2 steel classic Piccadilly pieces, with 4 enamel dials and one hand frosted, I was going out on a bit of a limb professionally. It was a fairly significant chunk of our open to buy dollars being spent on a completely unknown then watchmaker, whose products we had to pay up front for before he would ship them over to California. No glossy catalogs, Facebook or a fantastic website like he has now with which to market and promote his amazing work. Just a few rudimentary photos I managed to snap in Basel, which are in this message for you to see, and my enthusiasm!

Basel 2004, his only model, the 38mm Piccadilly with three dial variants, enamel (top) Hand frosted solid 18K three layer dial (middle) & hand engraved solid 18K three layered dial (Bottom)

Intrigued to find out if I was correct, I talked about the watches we ordered that first year in 2004 for several months after Basel, to as many watch aficionados as I could. When the FedEx box arrived in September, we had several collectors, and you know who you are, eagerly awaiting in the store to see these first pieces from Peter. Three left that day to new homes within a couple of hours of the FedEx truck leaving!

I have to say I was rather excited about this, as one doesn't know if that "leap of faith" one takes is a good decision or not, until the market reacts. Suffice to say it propelled me on a path, that to this day I am thrilled to say is the one I'm staying on the watch world. Getting to know the watchmakers personally and finding out why they create their life's work is pretty compelling to me, after all there are many "things" one can spend money and resources on, and to support artisanal watchmaking at this level is very satisfying.

Basel 2004, the two enamel options, stylish arabic or the lovely elongated romans

On that note I'll end off, but before I say goodbye, please consider where you buy your next timepiece, remember the people who help you and have steered you well and most importantly, who value you as a client/friend and not just some sales target to make. There are still a few of us in this business that value the relationship over the dollar. I think you know where I stand.

Cheers,

Tim

Stephen McGonigle visits CA

I have known this genius of a watchmaker for 7 years now, having met him on that serendipitous visit to Dublin in July of 2006. See my article from that trip under the "Watchmaker & Workshop visits':

http://www.independentintime.com/watchmakerworkshop-visits/2009/5/27/ireland-land-of-guinness-and-true-genius-watchmaking-talent.html

Here we are now, delivering to my mind the most elegant and sublime Tourbillon made by anyone. The execution in rose gold with the darkened rhodium plating on the mainplate under the synthetic sapphire crystal dial, really works well together to create this:

Photo courtesy of McGonigles

Stephen, together with his brother John, have been creating their next generation of McGonigle watches, this model is a time only piece, skeletonised for the intitial variation. The Tuscar cased in white gold, with a sapphire crystal dial sits atop the open bridge work to reveal the stunningly hand finished german silver. This long sold out subscription series of 10 watches are close to being completed and will adorn the wrists a little later this year. In the meantime, here a couple of images of the prototype Stephen brought with him.

Notice the circular grain fine finish on the balance bridge, which is centered on the balance wheel bearing. A very large free sprung balance of John & Stephen's design, beating away at 18,000bph, it is a lovely caliber to observe.

This is the official picture of the serially produced One of Ten Tuscar.

The back revealing the now solid main plate, where previously in the proto's they had an opening.

As is the typical path of these Independent watchmakers, the desire to design and execute one's own caliber is a big goal, with many obstacles in the pathway. However, those that do persevere and realize their ambition, will be rewarded and acknowledged by a select few aficionados who recognize the blood, sweat and tears that go into this process. I find myself on many occasions spending a lot of time explaining to watch collectors, unaware of the real difference between an Independent watchmaker, Independent watch companies and big brands, the staggering differences in the process of bringing these seemingly similar products to market.

This semi-skeleton initial series of ten pieces cased in 18K WG is long sold out and being delivered slowly but surely. The Tuscar in person is so much more than the pictures and one can see and feel the efforts put into creating this lovely watch. The good news is that there will be another execution of this Tuscar, now in 18K RG with a darkened sapphire dial, that reveals the balance wheel beating at 18,000vph, called the Banu. This is to my mind actually a better looking watch, might have something to do with it having a RG case and a dark dial, which is one of my favourite combinations!

Here is the Banu, love the massive balance wheel free sprung with gold weights slowly oscillating. Held in place by the pincer claw balance cock. Pic courtesy of McGonigle Watches.

As is our way, I had a fun evening with Stephen in Solana Beach, where friends and collectors could really get to see why Stephen and his brother John, create what they do, touch and feel his proto Tuscar and see a local collector's superlative and to my mind, most lovely McGonigle Tourbillon cased in 18k RG.

Collector's Tourbillon in RG.

I was able to spend a fun day showing Stephen and Cathriona around some of the local sights. He is quite an avid nature watcher, so the seals and sea lions in La Jolla provided several hours of amusement:

In closing, I invite you to take a look at these truly stunning watches created by two of the world's most lovely fellows. Honorable and easy to work with, Stephen and John will I hope in years to come get the recognition they so deserve!

Cheers,

Tim

Thomas Prescher and his Nemo Sailor...

Thomas has been beavering away in Twann creating his next pieces inspired by the Art Nouveau era, the steampunk movement and also his love of nautical lore having been an officer in the former West German Navy as a young man. Probably best known for his foray into multiple axis tourbillons and being the first fellow to design and make a Triple Axis flying Tourbillon with constant force on the escape wheel, he has gone in a bit if a different direction, certainly style wise!

Very excited to announce a visit by Martin Braun, founder of Antoine Martin.

October 6th, 2012, Passion has the great pleasure of hosting Martin Braun, the Master Watchmaker previously of the eponymous company Martin Braun. Like many of his colleagues in the Independent Watchmaking world, they lose the ability to make watches under their own name once attaching themselves to a large corporate brand. With the help of a Swiss businessman by the name of Antoine Meier, hence the new company name, and the ever resourceful and energetic Bruno Jufer, who as CEO, runs the business side of things, Martin is once again free to design and create his vision of a mechanical watch.

A Finnish dive watch, the Korono K0, all steel...

Stepan Sarpaneva is a fantastic artisan watchmaker, plying his craft in Helsinki. Emanating from a family of artists, he could only create watches unlike anyone else. This latest version of the Korona K0 is subtle yet not. The superluminova in white against the steel "grate" design of the dial makes for easy reading of the time. His clever use of the crown operated uni-directional dive timing bezel is a neat feature.

The latest from Speake-Marin, Peter's Piccadilly Serpent Calendar returns...

This time the Serpent Calendar is only being made in two metals, either 18k RG or stainless steel. As previously offered it is available in two cases sizes, 42mm & 38mm, but now features a new caliber, the Eros 1. An automatic caliber with twin main spring barrels, it has a 5 day power reserve when fully wound. Differing slightly is the profile, a 2mm slimmer case and stepped bezel...

A Finnish version of the Moonphase watch, the K3 Northern Stars.

We received this stunning piece for a client yesterday. Having seen a version of it last Basel, I was eager to see this here in CA. The dueling moons are very neat and Stepan Sarpaneva has created one heck of a watch here! His strong design sense is in full view here with this version of the Korona K3 Northern Stars.

The Catalan Diver is here, Pita Barcelona's Oceana 2000m

It has a been a hectic couple of weeks, with my second eldest daughter graduating grade school up in Menlo Park and our annual street event, Fiesta del Sol happening this past 5 days preceded by a PuristsPro dinner up in Santa Monica Memorial Day weekend. I have been waiting patiently, as has a good friend and collector up in the Bay Area, for my Catalan friends from Barcelona to deliver the Oceana...